Tree and Bark

This is a reminder that I’ll hold the random draw, then post the winner for my painted tree fabric in next weeks post.

I wasn’t sure how hand embroidering would go but thanks to my hoop stand I was able to finish the piece I wrote about here. I used three strands of black floss and as I stitched I remembered that although this fine cotton is a great surface to paint on, it’s not as much fun to hand embroider. But it was a good hand and thumb exercise and I think the background fabric has been redeemed!

Right now I’m working on a challenge piece that I’m only sharing a sneak peek of. It’s small with simple raw edge applique. Once again one of my drawer treasure fabrics has been given new life in a new little floral art quilt. The fabric was this tree trunk…

I think I painted it when I began working on this Photograph on Fiber series piece. Bark is one of those elements I love painting or at least attempting to paint. It seems to me many other fiber and mixed media artists are as intrigued with tree trunks and bark as I am.

Coexistence (Private Collection)

I finally cut the trunk fabric up and I’ve used it for the table top in the small floral art quilt. I over painted it with a bit of yellow ochre and orange because the gray was too blah and that also pulled some of the flower colors in.

All hand painted or dyed fabrics, this wip will be free motion quilted, I’ll add some words, and a (surprising) vessel to hold the arrangement. There is a deadline so we’ll see if I actually get it finished in time.

By Ann Scott

I started sewing and designing using fabric, thread, and paper when I was a child. I taught myself to make quilts, at first not following the "rules," then watched some experts, learned the rules, and made many hand quilted and appliqued quilts. I spent years focusing on miniature landscape quilts. Now I am a fiber and mixed media artist and that encompasses everything I have a passion for. I have taught, lectured, and my work have show nationally and internationally, some pieces have been published.

2 comments

  1. Glad you’re plunging back into sewing. I feel for you with fine textured cotton. I love Pimatex for painting and dyeing, but feel much less charitable towards it for hand stitching.

  2. I’m painting on some very soft fabric for quilt binding right now, (I think it’s a white muslin) just so I’ll be able to stitch the finish by hand. But it really didn’t hold the paint as well as my usual fabric tightly woven fine cotton, which is about the same as Pimatex.

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