I’m working up a new Curious.com lesson and I thought I knew exactly where I was headed but the gel print plate disagreed! I did end up getting a mono print on paper that I’ll use somewhere but it’s useless for the lesson. Maybe I’ll do some MeAnndering in the white areas or some stamping for note cards, or you know, put it in a drawer and not think about it right now!
I’m happy with the background fabric, it is an easier technique than I teach in my older video, at least for a mini art piece. I’ll share more, even the whoopsies, as I go along… Always learning!
We were hit with a heat wave this week but there seems to be a break today, unfortunately several fires have broken out around the state and county. Knowing how these fire can spread and the damage they cause, especially with the winds we have been experiencing, is always frightening. I live in an area that has remained unscathed by fire but I have friends and family who have lost homes (and pets) in past fires. I’m thankful to the firefighters for what they do every day and admire the strength of those who rebuild and move forward.
On a happier note – Recently I received a Machine Quilting Unlimited magazine in the mail and noticed a banner at the top of the cover that read “Water is Life – Exhibit at the United Nations. A few of the quilts from the Quilt for Change – Water is Life exhibit are featured, including my a triptych Clear Necessity.
So, I’m trying to be careful and not waste too much water while I paint more fabric…
The left piece was started by painting textile paint wet on wet, then slightly folding and left in the sun to achieve a sun print (the “rays”). After it dried I did a rubbing on a homemade foam leaf stamp using wax pastels and then sprayed the entire piece with water to soften the design. Center piece was tilt painted (Online lesson at Curious.com) and the piece on the right was made by laying a piece of fabric onto a plexiglass sheet that had acrylic paint pooled and dripped on it. Though the acrylic paint ended up thin enough to stitch on (video coming soon, I hope) Next time I will use textile paint so that the hand will remain softer.
If you paint fabric I would love to see your designs. I’m always surprised and usually please when paint meets fabric!
I have been finishing up some deadline projects and that feels good. There is always a bit of stress that goes with that and I often swear I’m not going to get myself into that situation again. But then the mind starts going and the ideas start flowing and I’m at it again (my own worst enemy!) I love making art and I know that I’m lucky to be able to spend my days creating. Here are a couple pieces I share in my new course – How to Make a Photo on Fiber Mixed Media Art Quilt, at Curious.com. Here is a discount link if you are interested in my lessons and over 20,000 more on Curious.com.
Garden Path is the main piece in my new course. From developing the design, to the fiber elements, to quilting the heck out of the borders, it was a fun project. I love growing a photo past the edges using fabric and fibers!
I often make landscapes but I think using a wedding or baby photograph would be great subjects to softly surround with fiber. Or maybe not so softly…I can imagine heavy metal too!
Yesterday I started the day by painting fabric, then I did a bit of quilting and worked on another lesson for my up coming Curious.com course and I did do a few of those pesky household chores. Those are some of my favorite things (except the chores), painting and surface design way up on the top of that list.
Here is a slice of a triptych I’m working on. I used textile paints, a flour resist and wax pastels. I wrote about my “scab” fabric a few posts back. Well, the parched earth part of this triptych is what was under that “scab” but here it has wax pastels applied over it. The center water area is actually the back of a larger piece of painted fabric and the sky above it is from the front of that fabric. I’m quilting it now, when it’s finished I’ll post the entire piece. But…
I’m not sure how to bind it because of the design running from one edge to the next third. If I add my Butted corner binding I would piece the binding so the blue has blue binding and the brown has brown but still I’m afraid it would stop or break the design. I could satin stitch or stitch over cording on the edge the way Carol Ann Waugh does. Any ideas? How would you finish the edges of this piece?
Yesterday I delivered and installed (with the help of my handy assistant) my most recent commissioned art quilt. The best part – the client was very pleased!
I’m working on new Curious.com online lessons but I thought it would be fun to take a detour in today’s post and share some cutting up and putting back together that doesn’t involve fabric. Except for the bleeding part I love cutting glass to make mosaic!