As I mentioned in my last post, I’m making a series of lessons showing how I make different elements for a mini fabric landscapes. What I neglected to mention is that I would be starting with white fabric (Thank you, Snarky Quilter!). Here is the piece in progress, which means these pieces are not attached and there may be changes. I find looking at a photo of the piece, using a mirror or walking away for a while, can be helpful in figuring out what may need to be tweaked. I have some ideas for change already. There will be thread play and quilting over the entire piece, so if it appears to be lacking that may just be where I plan to stitch more colors and nature bits.
I used different techniques for each of these elements – Rocks (as mentioned in previous post), the most forward foreground, second foreground, water & sky, tiny hills/mountains, and tree trunks.
I hope you will stay tuned and thanks for stopping by!
I was thinking about making some winter cards so I was playing, with sun-printing (again) using leatherleaf ferns and Setasilk and then painting with Neo Color wax pastels. The first three are from the same large piece, I’m floating a card stock “window” over it to find an area I like.
I’m not sure where I’m going with those but I know the Neo Color pastel poinsettia is crying for some thread play. The pine cone was really an experiment and it’s just okay. I may have to fix the stem because the branch looks like a stem shadow (more pine needles?). I should have done a wash around it too; I don’t like the white area on the right. Maybe that would be a place for some white (tone on tone) embroidery or maybe free motion quilting.
And below is a poinsettia card I made for my aunt. I posted a card similar to this in the past but this one is a little different in that the leave/petals hang beyond the edge. I like this one better and I think my fabric quilled beads with French Knots make the perfect flowers.
As I was writing this post my daughter gave a little holler saying “Sky!” and if you know anything about my family you know that is the signal to go upstairs and out on our bedroom deck. It was to see this…
For those of you who will be in San Diego, I will be teaching a class on Thursday, June 29, 2017 at Rosie’s Calico Cupboard quilt shop. The class title is “How to Make a Fabric Postcard.” We’ll use commercial fabric to make a basic postcard card and we’ll play with some surface design techniques to make our own fabric for another postcard.
Class cost: $45
TIME: 9 AM to 4 PM
You will need to bring a sewing machine in working order and the know-how to operate it. The machine needs to be able to make a straight stitch, zig-zag and/or decorative stitches, and free-motion quilting (i.e. feed dogs drop (or covered) and darning/hopping foot)
Complete supply list will be emailed after confirmation of payment. Payment must be made via PayPal (PP account or credit card). NOTE: If the link doesn’t work it probably means the class is full. If you would like to be added to the waiting list for a future class, please email me.
Payment must be made by June 25, 2017. If for any reason you cannot attend the class I must be notified via email on or before June 26, 2017 in order to receive a refund. After June 26, no matter the reason, no refund will be given. I reserve the right to cancel the class due to illness or personal emergency. If I have to cancel the class you would receive a full refund (or the option to be added to a waiting list for a future class).
Though this class is not affiliated with San Diego Quilt Show, their theme this year is Postcards from San Diego. If participating in the class encourages you to make and enter a fabric postcard in the challenge – that would be great!
Please feel free to contact me with any questions.
I think all the rain has really caused Spring to SPRING around here. I’m finding all kinds of things to photograph on my walks… nature that has or will spark a work of art.
Early yesterday I fished a tiny pale aqua colored bird’s egg shell out of our waterfall and set it on a near by rock that was almost the same color. The image below is fabric I painted to mimic a stone that contained Map Lichen. I enjoy trying to replicate rock and stone texture on fabric.
Then later on our walk we came upon a beautiful garden with gorgeous roses, all splattered with morning dew drops. The quilt, I’ve shared before, is Gifts from her Garden.
Then today on our walk there was this, ivy climbing up a tree. I wish I could have gotten closer or had a camera rather than my phone. The contrast in color and texture really struck me. It reminded me so much of my photograph on fiber piece – “Coexistence”. I’m happy and fortunate to be able to take walks and find inspiration, I know I write about it a lot!
One of my “kids” had an appointment and the other was going to the zoo to take photographs so I tagged along. I walked through Balboa Park which is where our world famous zoo is, stopping at the reflecting pond, it was nice to see this artist painting.
It was a beautiful day and the flowers were blooming pretty.
Speaking of flowers; here is a detail peek of my painted quilt (lighting not so good, sorry). See a reminder of what it looked like before it was a painted quilt.
A couple weeks ago I was working on a new Heart MeAnndering video. When I finished stitching I wasn’t happy with one of the petals, so I ripped it out, fixed it and added some French knots. Then before editing I discovered that at some point during filming I must have left the camera on (went to fix dinner or something), thinking I had turned it off. So when I started stitching again I actually turned the camera off! Yes, there is a screen that shows if the camera is recording or not and yes, I have been accused, on more than one occasion, of not looking to make sure. Needless to say there’s no video.
If that wasn’t disheartening enough, when I went to press the very white background fabric I neglected to use protection and my not so clean iron left discolored marks!
Maybe I should have just given up there but no; I had that much into the darn thing, I just couldn’t. I mixed up some textile paint and painted the fabric surrounding the heart and of course while doing that I accidentally splattered paint ON THE HEART! So I had to add more splatters to make it look intentional, right? It’s still bugging me but I’ll give this heart to a loved one and she’ll probably frame it. As often happens when things go awry – lessons were learned along the way!
I really enjoy the blog …And Then We Set It On Fire…The contributors are individual fiber artists who work in and explore a multitude of surface design techniques and more; sometimes working together. I once had the pleasure of being a guest artist on FIRE!
One of their recent blog posts did more than catch my eye. My interest was really sparked when I read that Kelly Hendrickson and Wil Opio Oguta, the two artists posting on FIRE this month, had been exploring the use of GUNPOWDER on fabric!
I have tried many different techniques over the years, here are some…
stamping, dripping, splattering, flour resist, stencil made on the sewing machine; painted and stenciled onto fabric made on a plastic tarp, rubbings with wax pastels, painted cheesecloth, melted Lutradur, burnt silk, just painting, and lots and lots of hand painted sky and landscape fabric… but never gunpowder!
Kelly and Wil have publish an e-book the explores their gunpowder techniques (I just bought it!), I hope you will visit “…And Then We Set It On Fire…” and each of their websites – I think you’ll have a blast!
Thanks to Kelly and Wil for letting me share their gunpowder post!
We have had some Santa Ana winds recently, which are always scary because we are so prone to wildfires. Our Redbud tree has been wind stripped of most of her leaves. I walked out the other day and on the patio next to the tree saw this circle of leaves and asked my husband if he wanted me to put them in the greens recycle can and he said “I don’t know what circle of leaves you are talking about.” He thought I made it, I thought he made it, we knew our adult kids hadn’t made it, and so it has been determined that the wind made it…that or there are some leaf elves hiding out in our garden!
I’m not a trained painter but enjoy trying my hand at it on fabric, which I believe is even more challenging than painting on paper. I see a lot that is not “correct” about this leaf but the shadow area, at least, will go under my quilting machine needle and hopefully I’ll be happier about it then. One thing I know but too often forget – Painting a drying leaf, in little bits of time, over a few days is not a good idea. Drying leaves change!
I think I work better in the abstract… it is more forgiving (or is it that I’m more accepting?!) and I find it much more relaxing. The below leaf was painted using Neo-Color II Wax Pastels and water and will have more quilting around it. Both of these leaves were painted on a scrap from my A Clear Necessityquilt (which is scheduled to be exhibited at the New England Quilt Museum in 2017).
I don’t know why it is but I just have a thing for leaves! How about you?
I lifted the lid off a cast iron pan after allowing it to cool for cleaning and discovered this…
At first I thought – Oh, that’s cool, in a rusty, creepy sort of way, and then I looked again and thought, it looks familiar. I remembered coming across an old painting while I was organizing the new studio space… I’m not sure if you can tell from these photos but the texture and some of the shapes look much the same!
The watercolor was done on paper and the technique was more – just let the paint flow (pour) than actually brush painting. I’m not sure how the tiny dots were made but I really like the textured appearance. After it dried I rotated it 180° and it made me think of coral below the sea. Cast iron, paper… next, get out the fabric and textile paints!
I have had a small lino block for some time now but keep putting off carving it. There seems to be a bit of fear! In the meantime I have been carving Speedball Speedy Carve rubber and having a blast with it! Printing on silk organza, as well as hand painted and dyed cotton using textile paint. Then I used the textile paint on a Gelli Arts plate and I just love how the results don’t look much like the original print (clear and clean) but more like a fern. Have you used these product? How were your results?