I added a border and started quilting the cat on a mat. It’s raw edge fused and made from painted fabric, I wrote about it here.
I decided to not make the piece a square rectangle but to follow the edge of the green mat. I may just look like a bad job instead of intentional, we’ll see. I plan to do my traditional butted corner binding. I have a ways to go but I’m having fun.
It’s interesting how sometimes we don’t notice certain things when we are face to face with a piece but look at it on the computer and oh, now I see it clearly. I don’t like the smile, but she’s not finished yet! More to come.
I remember someone being perplexed by quilters because we take fabric, cut it up, then put it back together again. It’s not just quilters; so much of art is cutting something up and reassembling it.
Paper – My daughter recently gave me some of her (dry) wet palette and wipe-up papers. I paper collaged this little bird. The wing was a piece of painted paper from my stash and the only part I may work on a bit more.
Designing and cutting up fabric continues to be my favorite activity.
This art quilt was made many years ago. I designed it for a San Diego Quilt Show challenge – The multi-color fabric had to be used in the quilt; it won first place, and though I hadn’t thought about selling it, I was approached by a couple, at the show, and they bought it, then commissioned two more art quilts from me.
I absolutely love mosaic and went through my mosaic making period but after a few years I realized fabric is more forgiving, lighter weight, and safer!
And finally, I get to the “Rock,” which actually began as Gator Board to go around my roadrunner on painted fabric. I wrote about finding this piece of painted fabric in a previous post and that I had an idea for an unusual finish.
I have to admit to being very pleased with the roadrunner piece. I think I succeeded in finishing this art quilt in an unusual way! It is wired for hanging.
Have you cut anything up lately and put it back together?
Reminder – Next post I’ll announce the giveaway winners from the August post.
I’m part of a (primarily) local quilter’s email newsletter started and run by a friend (done out of the goodness of her heart and to keep up her typing/computer skills). There are over 800 people on her list and she allows us to advertise our used quilt/sewing related items, as well as, list newsletters from guilds and individuals, news of our classes, art sales, blog posts, and videos. She hasn’t been able to send out the newsletter for some time. Many of the people who would get my blog post through her aren’t getting them now, so… I’m telling you this because if you are interested in winning a giveaway item/s your odds are a lot better right now, it’s also a good reason to subscribe to my blog, and not miss a notification!
There are five items in the giveaway. Please read and follow all of the instructions below. Note that actual item colors may be different than they appear here and none of these items are washable.
First up (1.) Balance and the Brass Ring (8″ x 10″) is made using hand dyed fabric (fused), painted and burnt lutradur, some free-motion stitching (no-binding edge), rings (which may or may not actually be brass), and a few embroidery stitches.
2. Stamped and Lutradur Leaves (14″ x 14″) started as a painted piece of fabric, then pressed a real leaf in gold paint and then in black, which didn’t work very well, next I stitched and free-motion quilted it. I made the leaves long ago and I kept pulling them out, looking at them, and putting them away again (know how that goes?). They’re made from painted and melted lutradur and are just hand stitched on (knots show on back – what was I thinking!), they could easily be removed if you wanted to bind the piece or add it to another project.
3. Reflections (7.25″ x 10″) Painted pole wrapped and hand painted (copper metallic) wholecloth. This piece was made for a challenge and the company mounted it onto black mat board for display, using a single piece of tape across the top edge, it could be removed from the mat board but it doesn’t have a hanging sleeve so I’m leaving it on the board, (it is labeled).
4. Torrey Pines postcard/mini art quilt. Made on Timtex, it is hand painted sky fabric with free-motion quilting and satin stitch edge. It has a white fabric back.
5. Flower Sampler (approximately 9″ x 10.25″) is just a little piece of painted fabric with flowers made using Neocolor II wax pastels. A few years ago I shared the how-to video, here it is again.
Here is another way I have used Lutradur…
Giveaway Instruction/Rules –
Sweepstakes/giveaway begins August 25, 2021 and ends at 9pm (Pacific Time) September 4, 2021.
To enter: You must live in the US only (no international entries). One entry per person. *NOTE: (If applicable) If your name is drawn as the first winner it will be removed for the second drawing. *If there are more prizes than entrants your name may be drawn more than once.
Leave a comment stating which item/s (1 – 5) you would like to win and include your first and last name (or last initial).
On September 4, 2021 I’ll use a random drawer and announce the winner/s on my next blog post. Winner/s will email me (firstname.lastname@example.org) their mailing information and I will mail the item/s ASAP. If I don’t hear from the winner within five days of drawing date, I will run another random draw. Good luck!
I hoped to have my roadrunner piece finished but between the designing, cutting, and next drying time, it’s going to take longer than I thought it would.
So, I’m sharing some pieces here, I’ve used different painting techniques on them. I’m sure I have shared some of them in the past but I think they are a nice reminder of what we can do when starting with white fabric. They could be done on printed fabric or painted fabric, again. I may not be completely sure what techniques I used on some but I’m sharing as much as I can remember.
Starting with the sweet one…
Chocolate Sauce and Wrappers. I pulled a thinned pint color, with a cheap brush, onto dry fabric and then wet the fabric and did a wash. The “chocolate sauce” was probably done with an eye dropper and then tilted. I hand painted little white highlights to give more dimension. The wrappers are metallic painted fusible in silver and gold.
Clothespin resist painted not dyed. I remember this being really fun to make!
I used the clothespin resist in this abstract that I then over painted. I remember starting to quilt it and not liking where I was going, so I think I put it away or maybe I cut it up! I probably should have just stretched it on a canvas.
Detail from Fallen…
For Fallen I used real leaves for stamps and a credit card for the lines. I think I used a pointed round paint brush for the dots. This was a fun one to quilt.
Detail of Above Lake Cuyamaca…
In previous post I shared the how-to quilt and then paint the border. I painted the sky and water and I think the quilting worked well for the ripples in a lake.
Detail Drift and Flow…
Drift and Flow has wool batting. I quilted the heck out of this piece on my domestic sewing machine; the last piece I did before getting my sit-down quilting machine. I’m glad the quilting shows in the photo because the black thread on black fabric is difficult to see in person. The black and gray on the right (above) is pole wrapped (same piece as the larger on the left below), and I was thrilled with the results, particularly in the gray area. It looked like hanging leaves. The square (ish) pieces were made by throwing paint down while thinking of sciencey things. The curvy lines are satin stitched and the gold drips are metallic paint tilted to let run and then the piece was cut into four squares.
Dwell detail… Dwell is a painted wholecloth and my most favorite quilt, ever.
The background fabric was stretched on a frame and painted. The windmills are made from a handmade stencil, the brick rectangles are purchased hand dyed silk, and the gold frames are painted fusible. The binding fabric was painted especially to continue the colors from the main cloth.
I hope you enjoyed this little quilt show and the these pieces have given you some ideas for techniques you may want to try.
I decide to put a few items for sale in my website Shop. It’s not a proper store but for now it’ll do. If interested see the drop down menu on the Shop tab and please realize that there are many items for sale on my site galleries. Let me know if you would like information about any piece. As time permits I’ll add more items, at least until I decide if I’ll be making a different shop.
I must admit I’m excited about finding ways to use the cardboard resist fabrics I recently made and want to make more. I free-motion quilted one piece and here is the video and resulting piece.
And the winners for the July fabric giveaway packets are… Karen G. wins the white, blue, red fabric pieces and Deborah F will receive the lavender and watermelon pieces. Congratulations and be sure to email your mailing info to me.
I can hardly believe July is almost over, I hope you are well and as always, thanks for stopping by.
I remember telling my son I wanted to use his photographs in my art quilts but I didn’t mean printed on fabric; I meant the actually photograph. I know I’m not alone in wanting to use photographs in combination with fabric and fibers. In today’s post I share a few from other artists and I thank them for granting me permission to share their work here.
If there is a quilt maker in a family there’s a pretty good chance at least one memory quilt has been made that includes special photographs celebrating a person, a day, or an event.
Fellow quiltmaker Ruth O’Neil shared her bookshelf quilt top. It has a photograph printed on fabric of her brother along side her niece’s daughters and books with titles (all but one) from a her niece’s favorite author. The plant near the top has 3 dimensional leaves.
Ruth made the quilt below after a safari trip. I think the pattern and fabrics work really well with the photographs.
Ruth also shared this quilt. Her daughter gifted her fabric printed with these photographs and the blue batik. Ruth and her fur baby obviously are fans of this guy!
Susan Lenz is a prolific artist of unique work. Many of Susan’s pieces include vintage photographs or her own, some she digitally alters before they are printed on paper or fabric. To the printed photos she will add stitches and embellishments… sometimes framing them because Susan is also a professional framer. Susan always posts excellent stories and explanations about her artwork and her travels, if you haven’t already, I suggest checking out her website and blog, where the below images can be seen in greater detail.
Joanna Mack aka The Snarky Quilter takes photographs that often capture textures, shadows, and light. She sometimes uses filters in photoshop software to alter her photos. Always learning as much as she can, Joanna explores and produces projects using a variety of techniques and methods.
I wish I could say that we collaborated but this piece is entirely hers. Joanna won a small, painted fabric landscape in one of my blog post giveaways. She started with a photograph she’d taken of a rusty textured (outdoor fireplace) barrel, altered it in Photoshop, had it printed on fabric, and later cut it into strips.
She cut the landscape fabric too and stitched it to her barrel pieces and then, as she writes on her blog; “I quilted it to resemble chain link fencing covered with the stems of weeds. The edges are finished with paint and yarn.”
I appreciate that Joanna has had some of her photographs printed on different types of fabric and shares her thoughts about each one on her blog. To read more about “A Cell With A View” and see her other projects and be inspired, visit her blog.
Petra Heidrich is a textile and mixed media artist in Germany. She embellishes vintage photographs, postcards, and sometimes paper, using thread and floss. Petra’s embroidery layer draws me in, andthen I look past it and notice the photograph. I think the embroidery stitches and photographs play and work very well together.
On her website, Petra writes – “I like to refer to embroidery as “painting with thread.”
I recently rediscovered a box of postcards I’d gotten years ago from my parent’s estate. In the box I found a postcard that just called to be made into a photograph on fiber piece. I contacted the photographer, Bill Banaszewski, to ask for permission. So that he’d have some idea of what I had planned I attached two images from my Photograph on Fiber series. Not only did he give me permission to use his photograph but he also wrote that his wife is a quilter!
In my original Photograph on Fiber series pieces I mounted the photo under/onto plexiglass, I don’t use it anymore, otherwise the process is essentially the same. My landscape is mounted onto a acid-free board for hanging and for this piece I slightly edited a scanned and printed copy of the postcard’s back to use as the label.
Bill has been photographing New York’s Finger Lakes for years. To see his photographs and learn more go to Finger Lakes Images.
The photograph, in this piece a postcard, is mounted about 3/4″ (not quite 2 cm) above the art quilt.
I hope the pieces in this post have inspired you as much as they have me.
Visions Art Museum had a Call for Entries with the theme First Responders. This exhibit will be online only and I haven’t heard yet if my piece has been selected, I’m sharing it here.
I had many ideas but I got a late start so I went with the simplest one. It’s only about 15″ square, which was doable for me even though I’m rusty. The first image I shared on my previous post, it is fused without the vessel. If you follow me on Instagram you may already know what the surprise vessel is.
I had the idea of using a mask for the vase/vessel long before the main design. In making the vessel I discovered that a (too) hot iron would melt the mask more than I had anticipated. Thankfully, I had it sandwiched between parchment paper. I actually like the “aged” look it gave the mask. I removed one ear strap and used the other as the bottom edge and feet. I used embroidery floss with a close blanket stitch around it for a bit more interest.
I free motion quilted/thread played, echoing the flowers and greens, and wrote “Thank you First Responders.” The writing is subtle, I didn’t want it to be the first thing the viewer noticed. I quilted green in the center of the yellow flowers later.
I make tiny double layered binding with butted corners, it’s not fast but it is still my favorite way to finish any quilt. Knowing that my hand is not 100% yet I didn’t want to try to stitch through my usual painted fabric so I used a softer, thinner fabric (white muslin, I think) and painted two pieces.
Another favorite thing is to “break” the binding where the quilt design has an obvious break – in this quilt it is between the table top and the main design. I got the fabric wet and used an old vinyl shower curtain under it. I laid and smoothed the fabric out and then painted it; one to contrast with the main area piece and the other to mostly match the wood-look table top. Then I crunched the wet fabrics lengthwise to give some added interest.
I rush dried this pieces, which means I let them be for a short time and then heat set before rinsing them out with water to remove any paint, then squeezed as much moisture out and ironed them completely dry. They really lightened up.
The vessel was stitched on after the binding was finished.
I always add side binding first then leave a one inch hang over on the top and bottom binding edges, which gets trimmed down. The already cut fabric pieces I painted were almost too short, so in this photo I was just checking by laying them in place… Machine stitched the side bindings first. I love those clips, they hold the binding for the hand stitching with no more pin stabs!
I’m please with the finished piece which I’ve titled – Mask for Them. The exhibit should be online beginning May 3, 2021, with or without my piece I’m sure it will be a great exhibit. VAM has wonderful online shows, events, and activities.
Thanks to those of you who entered for a chance to win the Painted Tree fabric… Congratulations to Karen G, you are the winner! Please email your mailing information.
I hope you’ll stop by again for more fiber/mixed media art and a May giveaway.
Sometimes things get heavy and I just need a little escape. That’s the time here right now. So I drew a little open wreath in my MeAnndering tablet (actual paper!)…
…and then decided to use it as inspiration for a little free-motion quilting. My first thought was to just quilt the open wreath and then to paint the flowers and leaves but now I think I’ll just keep quilting and make it a wholecloth quilt.
It’s looking pretty traditional which is not what I do much anymore but free-motion quilting, for me is pure joy, at least it is when the thread doesn’t break!
I hope you are safe and well and masking when going out.
I have been a follower of a wonderful blog, I have mentioned in the past, And Then We Set It On Fire… Today it was announced that the contributors will no longer be posting new posts. I’m sad but totally understand. I will miss the inspiration and great techniques that have been shared by the many artists over the years. The site will be up for now and at least through June, so if you aren’t familiar with it I hope you will go check it out and from there you may find links to the individual artists and much more inspiration and eye candy.
My own blogging has been sporadic to say the least! There are personal reasons and reasons I’ll blame of the political climate. I appreciate you stopping by and I hope you enjoy what I have to say but mostly the fiber art I share. Thank you!
Here is my most recent piece…
I painted over the raw edged patchwork and quilting and was pleasantly surprised that some of the fabric print showed through; it added another visual layer. This piece didn’t make it to where I had hoped but I really like it. I may offer it for sale at the San Diego Quilt Show in the Quilt Sales booth, where I’ll be chairperson again.