For the past few days the temperatures here have been around 90°F, we don’t have AC but my studio stays cool. Today looks to be finally cooling off a bit.
The coming of fall had me working on another Stir Crazy Member Challenge for Visions Art Museum, which will be published for members the first week in October. VAM offer so much inspiration and because we have had to spend more time in our homes, they have added a great deal to their online menu. I have “attended” wonderful artist’s talks with shows of their work, as well as, Q&A after. The online quilt shows are fun to go through at your own pace. VAM is changing their name to address better what they are about – it will become VMOTA/Visions Museum of Textile Art. I think it is a great museum to support. I’m not paid to create these challenges, and as far as I know none of the other artist are either.
When I make the video public, I’ll share it in an October post, until then here is a sneak peek of the project.
I’m also scheduled to teach at Visions on October 3rd. My first live class in some time (We were planning to hold this class before you-know-what struck). Hopefully enough people will sign-up to make the class happen. Masked and distancing, we’ll be using fabric, fiber, and a little paint to make a set of hummingbird note cards. They were so much fun to design and I love that the makers can make them their own as they construct each of their cards.
Our old house kitty, Kona, has finally figured out that she can come and go “outside,” into her little resort. During the daytime it’s attached to my studio and now I can stay in the studio playing/working instead of stopping to take her out onto the kitchen deck FOR HOURS. We’ll see if I actually get more done!
Right now I’m using some of the background fabrics I painted last week and will share more about them next time.
I have been working on background fabrics. While I was making Crackle Vessel I ran into a disaster with the background fabric. I ended up loving that background but the way I made it was the problem, it involved (homemade) texture paste and removing it was a huge mess.
So for now, no more texture paste on fabric. Here are a few new fabric and paper pieces I worked on today. I’ll share more about how they were made in a future post or video.
When I hung this to dry it whipped onto itself wet and so I just rubbed it all over. It still has potential.
Thanks to those who entered the August/September giveaway/sweepstakes.
I’m not going to say who won what – it’ll be a surprise and happy mail. Even if you have before please email your mailing address to me at firstname.lastname@example.org.
The winners are:
I have a question for those of you who like to enter the giveaways – Would 5 or 6 inch squares of commercial fabric as a giveaway prize interest you? Please let me know in the comments, thanks.
I’ll announce another giveaway later this month. I’ll also share more painted and stitched fabric pieces and ideas.
I remember someone being perplexed by quilters because we take fabric, cut it up, then put it back together again. It’s not just quilters; so much of art is cutting something up and reassembling it.
Paper – My daughter recently gave me some of her (dry) wet palette and wipe-up papers. I paper collaged this little bird. The wing was a piece of painted paper from my stash and the only part I may work on a bit more.
Designing and cutting up fabric continues to be my favorite activity.
This art quilt was made many years ago. I designed it for a San Diego Quilt Show challenge – The multi-color fabric had to be used in the quilt; it won first place, and though I hadn’t thought about selling it, I was approached by a couple, at the show, and they bought it, then commissioned two more art quilts from me.
I absolutely love mosaic and went through my mosaic making period but after a few years I realized fabric is more forgiving, lighter weight, and safer!
And finally, I get to the “Rock,” which actually began as Gator Board to go around my roadrunner on painted fabric. I wrote about finding this piece of painted fabric in a previous post and that I had an idea for an unusual finish.
I have to admit to being very pleased with the roadrunner piece. I think I succeeded in finishing this art quilt in an unusual way! It is wired for hanging.
Have you cut anything up lately and put it back together?
Reminder – Next post I’ll announce the giveaway winners from the August post.
I’m part of a (primarily) local quilter’s email newsletter started and run by a friend (done out of the goodness of her heart and to keep up her typing/computer skills). There are over 800 people on her list and she allows us to advertise our used quilt/sewing related items, as well as, list newsletters from guilds and individuals, news of our classes, art sales, blog posts, and videos. She hasn’t been able to send out the newsletter for some time. Many of the people who would get my blog post through her aren’t getting them now, so… I’m telling you this because if you are interested in winning a giveaway item/s your odds are a lot better right now, it’s also a good reason to subscribe to my blog, and not miss a notification!
There are five items in the giveaway. Please read and follow all of the instructions below. Note that actual item colors may be different than they appear here and none of these items are washable.
First up (1.) Balance and the Brass Ring (8″ x 10″) is made using hand dyed fabric (fused), painted and burnt lutradur, some free-motion stitching (no-binding edge), rings (which may or may not actually be brass), and a few embroidery stitches.
2. Stamped and Lutradur Leaves (14″ x 14″) started as a painted piece of fabric, then pressed a real leaf in gold paint and then in black, which didn’t work very well, next I stitched and free-motion quilted it. I made the leaves long ago and I kept pulling them out, looking at them, and putting them away again (know how that goes?). They’re made from painted and melted lutradur and are just hand stitched on (knots show on back – what was I thinking!), they could easily be removed if you wanted to bind the piece or add it to another project.
3. Reflections (7.25″ x 10″) Painted pole wrapped and hand painted (copper metallic) wholecloth. This piece was made for a challenge and the company mounted it onto black mat board for display, using a single piece of tape across the top edge, it could be removed from the mat board but it doesn’t have a hanging sleeve so I’m leaving it on the board, (it is labeled).
4. Torrey Pines postcard/mini art quilt. Made on Timtex, it is hand painted sky fabric with free-motion quilting and satin stitch edge. It has a white fabric back.
5. Flower Sampler (approximately 9″ x 10.25″) is just a little piece of painted fabric with flowers made using Neocolor II wax pastels. A few years ago I shared the how-to video, here it is again.
Here is another way I have used Lutradur…
Giveaway Instruction/Rules –
Sweepstakes/giveaway begins August 25, 2021 and ends at 9pm (Pacific Time) September 4, 2021.
To enter: You must live in the US only (no international entries). One entry per person. *NOTE: (If applicable) If your name is drawn as the first winner it will be removed for the second drawing. *If there are more prizes than entrants your name may be drawn more than once.
Leave a comment stating which item/s (1 – 5) you would like to win and include your first and last name (or last initial).
On September 4, 2021 I’ll use a random drawer and announce the winner/s on my next blog post. Winner/s will email me (email@example.com) their mailing information and I will mail the item/s ASAP. If I don’t hear from the winner within five days of drawing date, I will run another random draw. Good luck!
Even with temperatures here around 90° I found out that (homemade) texture paste takes a long time to dry and when rushed it cracks. The texture paste is going on my roadrunner piece, which won’t be done this week, so…
In the meantime I started something new… I was filming a How-to paint fur fabric tutorial but it went wrong so I just finished painting the fabric. On the left was the first layer, the fabric was painted damp so the paint really moved and lightened. I knew it wasn’t enough and a couple days later I painted it again, this time with dry brushes.
Using a photo of our cat, Kona, I made a pattern. The plan was to use only the painted fur fabric, I ended up adding a piece of hand painted green fabric for the blanket and the eyes.
There were a few changes to the pattern as I built the piece and I took plenty of artistic liberty. This is what is left of the fabric, I think there’s probably another animal in there, maybe a hamster or guinea pig!
Part of me wants to just leave it as is, though I haven’t fused the pupils because I’m thinking about painting them or maybe I’ll stitch the heck out of it and fill them with thread.
Next week I’ll announce another giveaway, so stay tuned. Thanks for stopping by.
I hoped to have my roadrunner piece finished but between the designing, cutting, and next drying time, it’s going to take longer than I thought it would.
So, I’m sharing some pieces here, I’ve used different painting techniques on them. I’m sure I have shared some of them in the past but I think they are a nice reminder of what we can do when starting with white fabric. They could be done on printed fabric or painted fabric, again. I may not be completely sure what techniques I used on some but I’m sharing as much as I can remember.
Starting with the sweet one…
Chocolate Sauce and Wrappers. I pulled a thinned pint color, with a cheap brush, onto dry fabric and then wet the fabric and did a wash. The “chocolate sauce” was probably done with an eye dropper and then tilted. I hand painted little white highlights to give more dimension. The wrappers are metallic painted fusible in silver and gold.
Clothespin resist painted not dyed. I remember this being really fun to make!
I used the clothespin resist in this abstract that I then over painted. I remember starting to quilt it and not liking where I was going, so I think I put it away or maybe I cut it up! I probably should have just stretched it on a canvas.
Detail from Fallen…
For Fallen I used real leaves for stamps and a credit card for the lines. I think I used a pointed round paint brush for the dots. This was a fun one to quilt.
Detail of Above Lake Cuyamaca…
In previous post I shared the how-to quilt and then paint the border. I painted the sky and water and I think the quilting worked well for the ripples in a lake.
Detail Drift and Flow…
Drift and Flow has wool batting. I quilted the heck out of this piece on my domestic sewing machine; the last piece I did before getting my sit-down quilting machine. I’m glad the quilting shows in the photo because the black thread on black fabric is difficult to see in person. The black and gray on the right (above) is pole wrapped (same piece as the larger on the left below), and I was thrilled with the results, particularly in the gray area. It looked like hanging leaves. The square (ish) pieces were made by throwing paint down while thinking of sciencey things. The curvy lines are satin stitched and the gold drips are metallic paint tilted to let run and then the piece was cut into four squares.
Dwell detail… Dwell is a painted wholecloth and my most favorite quilt, ever.
The background fabric was stretched on a frame and painted. The windmills are made from a handmade stencil, the brick rectangles are purchased hand dyed silk, and the gold frames are painted fusible. The binding fabric was painted especially to continue the colors from the main cloth.
I hope you enjoyed this little quilt show and the these pieces have given you some ideas for techniques you may want to try.
I’m working on another project for Visions Art Museum Stir Crazy Member Challenge. I like to make a How-to video to go along with the project, it’ll be out in October and I’ll share it then.
I had a slight mishap in the studio (roller cart tipped over when a caster came unscrewed). My (adult and honest) daughter was trying to move through my studio yesterday and proclaimed “This studio is a disaster!” I can’t argue with her, but I’m working on it… It could have been so much worse.
I also got new eyeglasses which are wrong, and so I’m waiting for new, new glasses. Needless to say, my focus has been all over the place!
I did find this piece of fabric while looking for another piece of fabric. I don’t remember painting it and I don’t remember where the top water and/or sky ended up either, but I liked it enough to hold on to it.
I quilted a roadrunner on it; the original drawing was by my daughter but I altered it slightly, and I’m going to quilt it a bit more.
I have an idea for a unusual finish, hopefully it works out, I’ll share it in a future post.
I’ve put together two little fabric packets. One (#1) is white, blue, and red and the second (#2), what I’m calling watermelon/lavender, for the July giveaway/sweepstakes. Let me know which one (or either) you’d like a chance to win by following the rule instructions below.
Here’s the How-to video showing how I painted the watermelon colored fabrics that is in giveaway packet #2.
Sweepstakes/giveaway begins July 21, 2021 and ends at 9pm (Pacific Time) July 26, 2021.
To enter: You must live in the US only (no international entries). One entry per person. NOTE: (If applicable) If your name is drawn as the first winner it will be removed for the second drawing.
Leave a comment that you would like to win – #1 (white, blue, red) either/or #2 (watermelon/lavender) and include your first and last name (or last initial).
On July 27, 2021 I’ll use a random drawer and announce the winner/s on my next blog post. Winner/s will email me their mailing information and I will mail the fabric packet ASAP. If I don’t hear from the winner within five days of drawing date, I will run another random draw. Good luck!
I mentioned in my previous post that I have been working on new painted fabric techniques. I’m sharing a one here, though for me it’s not new because I accidentally made a piece of this fabric a long time ago. Below is a short video that demonstrates just how easy it is.
A couple things I should say – First, it is best to use darker paint to get the most obvious results. And, unless you have large hands or a large handed helper, this technique is really only for making small size pieces of fabric.
Next week I’ll share another new technique and if time permits, an artwork using the two techniques.
Below is another piece of fabric I made using this crackle/crinkle technique. I used black paint and after I rinsed it, I had a sad feeling that it didn’t work (see left side below). But I should have known better… Just a hot iron and the crackle appears, like magic! In this photo the right side has been press completely flat (except for the little crease on the right edge).
Below, the fabric front is on the left and the back on the right. Any brown color is just from bad lighting; the piece is nice dark charcoal gray. I like the fabric back as much as the front and now I see plaster walls, cave walls, or rocks… Note to self – Must try in brown.
I look forward to sharing more painted fabric pieces and hope you’ll say tuned. Thanks for stopping by.
I remember telling my son I wanted to use his photographs in my art quilts but I didn’t mean printed on fabric; I meant the actually photograph. I know I’m not alone in wanting to use photographs in combination with fabric and fibers. In today’s post I share a few from other artists and I thank them for granting me permission to share their work here.
If there is a quilt maker in a family there’s a pretty good chance at least one memory quilt has been made that includes special photographs celebrating a person, a day, or an event.
Fellow quiltmaker Ruth O’Neil shared her bookshelf quilt top. It has a photograph printed on fabric of her brother along side her niece’s daughters and books with titles (all but one) from a her niece’s favorite author. The plant near the top has 3 dimensional leaves.
Ruth made the quilt below after a safari trip. I think the pattern and fabrics work really well with the photographs.
Ruth also shared this quilt. Her daughter gifted her fabric printed with these photographs and the blue batik. Ruth and her fur baby obviously are fans of this guy!
Susan Lenz is a prolific artist of unique work. Many of Susan’s pieces include vintage photographs or her own, some she digitally alters before they are printed on paper or fabric. To the printed photos she will add stitches and embellishments… sometimes framing them because Susan is also a professional framer. Susan always posts excellent stories and explanations about her artwork and her travels, if you haven’t already, I suggest checking out her website and blog, where the below images can be seen in greater detail.
Joanna Mack aka The Snarky Quilter takes photographs that often capture textures, shadows, and light. She sometimes uses filters in photoshop software to alter her photos. Always learning as much as she can, Joanna explores and produces projects using a variety of techniques and methods.
I wish I could say that we collaborated but this piece is entirely hers. Joanna won a small, painted fabric landscape in one of my blog post giveaways. She started with a photograph she’d taken of a rusty textured (outdoor fireplace) barrel, altered it in Photoshop, had it printed on fabric, and later cut it into strips.
She cut the landscape fabric too and stitched it to her barrel pieces and then, as she writes on her blog; “I quilted it to resemble chain link fencing covered with the stems of weeds. The edges are finished with paint and yarn.”
I appreciate that Joanna has had some of her photographs printed on different types of fabric and shares her thoughts about each one on her blog. To read more about “A Cell With A View” and see her other projects and be inspired, visit her blog.
Petra Heidrich is a textile and mixed media artist in Germany. She embellishes vintage photographs, postcards, and sometimes paper, using thread and floss. Petra’s embroidery layer draws me in, andthen I look past it and notice the photograph. I think the embroidery stitches and photographs play and work very well together.
On her website, Petra writes – “I like to refer to embroidery as “painting with thread.”
I recently rediscovered a box of postcards I’d gotten years ago from my parent’s estate. In the box I found a postcard that just called to be made into a photograph on fiber piece. I contacted the photographer, Bill Banaszewski, to ask for permission. So that he’d have some idea of what I had planned I attached two images from my Photograph on Fiber series. Not only did he give me permission to use his photograph but he also wrote that his wife is a quilter!
In my original Photograph on Fiber series pieces I mounted the photo under/onto plexiglass, I don’t use it anymore, otherwise the process is essentially the same. My landscape is mounted onto a acid-free board for hanging and for this piece I slightly edited a scanned and printed copy of the postcard’s back to use as the label.
Bill has been photographing New York’s Finger Lakes for years. To see his photographs and learn more go to Finger Lakes Images.
The photograph, in this piece a postcard, is mounted about 3/4″ (not quite 2 cm) above the art quilt.
I hope the pieces in this post have inspired you as much as they have me.