A little glitch has caused my Printed, Painted Background Fabric video, that I mentioned in my previous post, to be delayed. In the video I will demonstrate how I achieved these fabrics and papers. Here are a few ways I’m using the backgrounds. I call them backgrounds but they aren’t only that.
This final piece is the brown paper bonus – it had been used to print/paint the trees trunks above. This piece is still a wip and is on a canvas, the moon is a painted coffee filter, and the large rock isn’t glued down yet. It is titled She Rocked Beneath the Full Moon. In honor of the rock climbing women I know.
I hope these pieces piqued your curiosity and that I’ll be able to actually share a video next time. Maybe you’ll have ideas for pieces that could be made with the printed, painted fabric and the paper too.
In the past when I presented live lectures to quilt guilds, one of the talks was about making the quilt more our own. We often use one main fabric to help select the other fabrics in a quilt, this is a twist on that. During my recovery ironing is not happening so please excuse any wrinkles.
Here are some examples of commercial fabrics with easy additions.
Above is a pretty floral fabric and nice black on white. With the addition of a stamp the black/white becomes a coordinating fabric and there’s more to quilt around.
The stamp was made by cutting thin craft foam into leaf shapes and gluing them onto scraps of Lauan (Sometimes I use Masonite and even cut-up sturdy box cardboard for stamp base and handle). Then I scored down the center of the leaves for added interest. Next I placed the fabric on a slightly cushy surface. Using a makeup type sponge, I applied craft acrylic paint onto the leaves, then stamped the leaves onto the fabric.
Another floral fabric needed something more vibrant so I used my Sharpie Stained markers. So simple and fun. Notice on the right side, even the addition of just a few orange dots make this fabric more lively.
Sometimes the fabric combinations are unexpected.
Jacquard Textile Color in apple green and a paint brush made specifically for applying paint to fabric.
Here the gingham inspired the squares for the stamp which was made using a thick craft foam. The paint is Jacquard Textile Color in Fluorescent Yellow.
Another floral fabric and a three leaf stamp on gingham.
Below, this beautiful jewel tone design on black fabric has so much potential, both with coordinating and customizing. The blue coordinating fabric inspired this next stamp and I love the look on the polka-dot fabric.
The last and simplest idea… To softens the dark/jewel tone fabric I pulled in a cream floral and used craft acrylic paint and a new flat pencil eraser.
The orange dots added just enough kick of color to make the subtle fabric work better with the darker.
As I revisit these pieces it really gets my creative juices flowing. I hope these examples sparked some ideas in you.
If you left a comment for the fabric and Oceanscape top giveaway, thank you!
The winners are…
Karen G. won the Woods fabric piece.
Carol in AK won the Sky Over Oceanscape.
Congratulations! Please email your mailing information to me at email@example.com
Below is my latest painted sky fabric. I’m editing the How-to paint this sky fabric video now and should post it next week. The hill/mountain pieces are only being auditioned here (not sewn or fused yet), and on the right the pieces have been darkened in Photoshopped.
Which landscape do you prefer?
I hope you will follow along, and remember there will be another giveaway in February.
I remember when I got rid of all of my embroidery paraphernalia; when I became a quilter! Before then, for years, I embroidered everything. Then a few years ago I discovered mark making with thread, more specifically, floss. So, off I went to buy all of those embroidery tools and materials, again. But now I approach embroidery differently, not so much flowery, cutesy stuff but more as another layer and bit of interest to add to mixed media works of art. Having said that, this is what I did this week while resting with the flu. It is on a piece of my hand painted pole wrapped cotton (faux Shibori).
Even if the subject is no longer my cup of tea, it was fun to draw and stitching it was really good for my motor skills which have been feeling clumsy lately.
I was thinking about making some winter cards so I was playing, with sun-printing (again) using leatherleaf ferns and Setasilk and then painting with Neo Color wax pastels. The first three are from the same large piece, I’m floating a card stock “window” over it to find an area I like.
I’m not sure where I’m going with those but I know the Neo Color pastel poinsettia is crying for some thread play. The pine cone was really an experiment and it’s just okay. I may have to fix the stem because the branch looks like a stem shadow (more pine needles?). I should have done a wash around it too; I don’t like the white area on the right. Maybe that would be a place for some white (tone on tone) embroidery or maybe free motion quilting.
And below is a poinsettia card I made for my aunt. I posted a card similar to this in the past but this one is a little different in that the leave/petals hang beyond the edge. I like this one better and I think my fabric quilled beads with French Knots make the perfect flowers.
As I was writing this post my daughter gave a little holler saying “Sky!” and if you know anything about my family you know that is the signal to go upstairs and out on our bedroom deck. It was to see this…
Last month while listening to a podcast at While She Naps with Abby Glassenberg, I learned that Abby would be giving her listeners an opportunity “to recommend great stuff you’re enjoying right now.” Listeners could record a message on the While She Naps website (technology – so cool!) and on Dec. 4th the podcast aired. To my surprise I was one of the people selected for inclusion in the podcast. I talked about Barb Owen, owner of How To Get Creative, who is someone I find inspirational and encouraging. Barb is a multi-talented artist and author who produces fun projects video on YouTube and offers special membership classes on her website.
Abby was joined by guest co-host, Stacey Trock, and the entire podcast was filled with great ideas from suggested reading, tools and notions, websites, blogs… I could go on but instead I’ll encourage you to check While She Naps out for yourself.
During the podcast Abby drew three names to receive prizes and I was one of them! My prize arrive a couple days ago and as you can see by the photo, the prize was a” Welcome pack” from Spoonflower. I have used Spoonflower for fabric printing in the past and I’m looking forward to again (included in the prize – Spoondollar credits).
It was so nice to be able to contribute to Abby’s Community Episode podcast and exciting to have won a prize on top of that! Abby’s entire website is a great resource for anyone interested in sewing, quilting, and so more more.
I was happy to learn that the fabric I submitted for the Quilting Art Fabric Challenge/Swap was published in their Dec 2016/Jan2017 magazine. They didn’t publish all of the submissions but I was impression by the variety and would love to be able to ask many of the artists how exactly they achieved their results.
The way the challenge worked was for readers to create a fat quarter of fabric with original surface designs, submit it, and then they would receive a fat quarter made by another entrant. For more information see that QA link above.
I was so excited when I received a fat quarter created by Susan Price. Susan along with her business partner, Elizabeth, create original and custom Thermofax screens and sell their designs on Etsy at – PGFiber2art
Susan explained that the fabric I received was snow dyed, pole-wrapped (Shibori) and then thermofax screen printed using her original photo called Birds on a Branch. I think it is beautiful! Thank you, Susan.
A short time after I received Susan’s fabric I received a “thank you” email from Pat Robertson, who was the recipient of my challenge fabric. As I looked through the magazine again, I discovered that the fabric Pat submitted was also published so I asked Pat to send me photos of her fabric. Pat was kind enough to also send photos of her process too. The steps are – Pre-treated fabric, snow pile, dye applied, processing, fabric accepting the dye, rinse, and beautiful results! Thank you, Pat.
So you can see what wonderful results may come from playing with (and working) surface designs. I hope you will give it a try and if you do please share your results!
I found some old photos of a few vests I made, taken before I owned a digital camera; the photos aren’t the best but I thought I would share them anyway. It was when I was going through my Seminole period! One was just an experiment in curvy piecing, though I’m pretty sure I hand appliqued it together!
All of the vests are made from a basic commercial pattern (sorry can’t remember which company; it is was ages ago) but the front and backs designs are my originals. They included lots of tiny Seminole work, a pieced cockatoo (sort of), some raised and folded pleats held down by a few hand embroidery stitches. Some were included in the fashion exhibit at a local quilt show, some were gifted, I sold and even wore a couple. They were a learning experience…I learned I may never want to make another vest!